Showing posts with label Gods. Show all posts
Showing posts with label Gods. Show all posts

Sunday, October 21, 2007

Happy Santa Claus...






Billy was back on his game. His antics seemed to get worse. Karen was back in college, so he was left to manage his own free time. He drank far too much and I knew who the cocaine guys were that hung around the back stage doors. Billy wasn't an angel...hell, neither was I, but NEVER did I partake in drinking or drugs before or during a show.



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I wish I could say the temptation wasn't there for him, but it was. A few of the other members had their 'drug' of choice too. I mean, it wasn't an opium den or anything, but it was around and you knew when someone wasn't quite 'on' their game.




At Christmas, Billy had arranged for us to open a new club, and I use that term loosely. It was a banquet room in a Chinese restaurant. It was big enough, the stage was great and the dressing room was huge; but it was still a Chinese restaurant with gold and red dragons, and paper lanterns with tassels.




We made a couple TV commercials to promote the venue and event: 'Christmas Party at Lung Fung Dragon Room." I thought they sucked. Candyce and I were dressed in little red leotards and fishnets with white fur hats, long white gloves and of course, white go-go boots. It was one of those, 'walk toward the camera with a girl on each of Billy's arms, talk about the event and the girls in unison break out a Merry Christmas, Everyone' boring things.




It worked though. We filled the room, relatively speaking, but it still felt so empty because of it's massive size. The sound quality wasn't great. The drinks were in these puny little 4-oz glasses and expensive. If I had been a customer, I'd have been disappointed...but the fans didn't seem disgusted.




The band started making some money at this place, since the cover charge was ours to keep. Billy not only had us playing one show a night, Thurs-Sat; but added in an underage show on both Friday and Saturday afternoon. This would become our regular venue, playing there sometimes 2-weeks a month.




All this was fine. I didn't mind the work, but the split shifts were a drag (literally...no shower there and the makeup looked rotten at the end of the double show days) and it was twice as much laundry, twice as many pantyhose and fishnets (they don't last long), more gas money, more money for eating on the road (it was a long way from home).




I found out on accident how much more money Steve, the band and Billy were making at Lung Fung. Candyce had insisted on a raise being the 'lead' dancer, and got it. So, I asked for a raise. I was given a measly 2.50 cents more per show.




That was it. My soul was empty. My pockets were damn near empty. I was working twice as hard. I was so tired of the same old stupid dances. I was treated like a child. I was sequestered. Mostly, I saw no future. Album or no album, unless something changed, I was ready to call it quits.




My childhood sweetheart bought a pickup with a camper, so he could spend time with me. After shows, we would play Backgammon, Cribbage, Gin Rummy and talk for hours, in the little one room camper.




He had a morning job, so after going to sleep at 4:00am, he'd wake back up and drive to work, leaving me in the back to sleep. His shift was usually done by 2pm, just as I was waking up and getting hungry. He'd bring me croissants and pastry, since he drove a delivery truck for a French bakery.




We both dreamed of more. We hatched this idea of starting a 3-wheeler rental business on the Oregon Coast. This was before ATV's were so big. This was my break from the band. I would leave to pursue things more important to me.




No one in the band seemed to be disappointed when I gave 3-month notice I was leaving. I was too young to fight to keep. I would be easy to replace (trust me, this wasn't brain surgery). Billy and Karen would be taking a month off to go to Europe before the release of the album. I thought this was a good time to go, rather than endure another month of no pay.




Besides, these boys were getting too big for their britches. They were riding a high rope and all I could see were things getting uglier between the band members, acting like spoiled brats and spitting on those that got them to that plateau.




The higher the balloon climbs; when it bursts... it's a longer way to fall.



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Some English on that, if you please...



We had months of shows to do before Billy and Karen were leaving to Europe and I would be leaving for more earthly pursuits. We had a show at a downtown Portland club that doubled as a restaurant during the day.



After our encore, I was running backstage with everyone and ran ahead a little to pat Nicks ass and my high heels flew out from under me, as has I hit a patch of grease on the kitchen floor. I landed on my left wrist. My little drummer boy took me to the emergency room where they put a cast on it and said, "sorry darlin...6-weeks."



I asked the hospital for a couple ace bandages. I wrapped up the cast and gee...didn't look half bad...little bulky, but no one would know.



For the most part, they didn't know...except for this poor guy at a show we did in Corvalis the following weekend. He got a little too close. Keith saw it happen but all I saw was this guy being carried off the dance floor.



I thought it was some drunk that passed out. I didn't have a clue until the end of the show that I had knocked him out cold...I thought I'd hit the speaker!



The very next night, Candyce did a kick which landed square on some poor blokes jaw and dislocated it. His girlfriend promptly walked up and threw a drink on her before the song was over. There was no containing her; Candyce went after her and Steve had to pull Candyce back to the stage.



None of us could keep a straight face. We tried to keep it together but we were all in stitches, as we tried as hard as we could to make it through the song.



Check out the left hand in the picture. It's kinda in the powder that was released during that number but you can slightly see the cast...absolute truth.



No charges were pressed.



Upstroke, Down...


The last show we did before Billy and Karen left to Europe was opening for James Brown. That man flat puts on a show! He deserves the title, "hardest working man in show business" and he's one heck of a nice guy too. What a way to go out, eh.


After the show, I jumped in my bug and off I went. It didn't hurt a bit. I found a cute little house 2-blocks from the beach and went for a walk on it every morning. I started digging my dinner (clams and mussels) and fishing again. My business partner/boyfriend would join me in a couple months when I drove back for the album release party. It was a blissful 2-months.


Billy and Karen returned home from Europe. This would be the last time I'd spend with the band; and the last of the autographs, painted faces, sequins and fishnets.


Billy looked good, but he had grown really arrogant. What happened to that nice guy who's smile lit up a room? If I had a glimmer of disappointment in my decision to leave, it was wiped away seeing how much he had changed.


It felt like I signed hundreds of albums that night and when it was over, I jumped in my bug and off I went. The further away I got, the better I felt...back to reality and what felt good to me.


This next section of the story will be recalled using a book that was written about the band, by Bill Reader, since I wasn't there. Thanks, Bill...if you're still reading my blogs.



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Billy hooked up with Lou Erlanger who played guitar in Mink DeVille...a band based in New York. Lou offered to help Billy lay down some more music on tape. Lou's sister was an editor for Rolling Stones magazine and an idea was hatched to have the band play at her wedding with all the big Rolling Stones executives.


Unfortunately before that got off the ground, Lou had his fill of Billy's ego too and dropped him cold. This however did give birth to the next idea: Billy would take the band on a tour of the East Coast. This would prove to be an interesting and flawed decision, since Lou was the one who would have lined up the shows for the band. That didn't phase Billy!


The band would stay with Alf's family in New Jersey. They would be able to rehearse at Matti's (Alf's brother) auto shop. Joey, another of Alf's brothers, was a big producer and would be enlisted to help introduce them around.


While Billy and the band members flew to New York, the Roadies, Annie and the Dancers would take a 3.5-day long cross-country train trip to get themselves and all the equipment back East. Annie was the one who booked the Tosh gig and knew people on the East Coast...she volunteered to help too and said all she needed was a hotel room. Steve assured her, 'no problem.' He lied. The girls were set up in Alf's parents house, separated from everyone else, with no transportation.


Without much to do, Keith started working on a broken-down van that Matti offered to Billy if anyone could get it running. One day Matti came into the garage with a friend, Bruce. Mick pulled his head out from the hood and offered to shake his hand except that it was dirty. Bruce laughed and grabbed his hand anyway with a hearty greeting. Mick went back to work and Keith asked him, "do you know who that was?" Mick says, "yeah, that was Bruce." Laughter started as Keith says, "yeah, that was f...king Bruce Springsteen!"


The trip had been a waste of time the first couple weeks, but Matti had a plan to change that and bring Bruce by a club the next gig they did. He told Billy to ask him up on stage.


The Unreal Gods had played on Broadway a couple of times and were beginning to attract a crowd. But playing with Bruce would get them in every newspaper in New York. Billy didn't seem very excited about it though.


So, one night Bruce showed up, ready to play. He sat in the audience and waited and waited. Billy did not invite him up. Bruce went backstage after the show and said, "you were good, you got a shot at it. later."


Matti screamed at Billy. Everyone was pissed. The way Billy looked at is was, "We're better than Bruce Springsteen."


Like I said, Billy had grown arrogant.

Uptown Boy...



The NY trip was a flop and getting worse. The new dancer, Alaina, they hired to replace me got terribly sick. She, in turn, gave the crud to Billy who literally spent nearly the entire 6-weeks coughing. Steve gave Alaina his airline ticket and she flew home. Mick and Keith also got fed up, and hopped a plane home too.



As promised, Annie had arranged for a NYC Corporate Music Lawyer to watch the band play at Matti's little club. After the show, he invited Annie and Steve to his office in Manhattan where he told them that he loved the band.



He advised them against signing with a Portland Agent that was courting them. Instead, he said he could get them a gig at the Peppermint Club in Manhattan and would arrange a meeting with a group of CBS Record executives.



They were so excited to tell Billy. Steve called Billy, and while he was on the phone with him, Alf picked up the another phone and said, "Steve you don't have the authority to do this anymore, Matti is going to manage the band." With that, they headed over to Matti's to find out wtf was up. When they arrived, Billy blew her off AND the Peppermint Club AND CBS Records!



Steve and Annie had had enough and packed up and left too...after all that both of them had done. They were hurt to the core.



The only productive part of the entire NY fiasco, was a tape. Dr. Flaxel (drummers Dad) had invested $20k for the band to use in the recording studio. Billy picked the legendary Power Station Recording Studio. Larry Alexander who had engineered for David Bowie and John Lennon, recorded five songs for Billy. Two days and 20K latter, they had a damn good tape.



After coming home and playing a bit in Portland, Patti was hired to take Alaina's place and it was (from what I heard) NOT a pretty sight. These were not complicated dance steps, but one did have to know how to dance. Billy decided to fire the dancers right after the New Year.



As luck would have it, Clive Davis with Arista records got wind of the band after hearing the tape. He flew up and arranged to attend a show at the Starry Night Club.



John and Billy picked Clive and Neil Partnow (his right hand man) up at the airport. Poor John was so nervous, he could barely speak. Clive Davis was like God to these boys, having produced Janis Joplin, Santana, Billy Joel and yes...Bruce Springsteen.



Four months earlier, Clive had signed a 19-year old singer named Whitney Houston and he wanted to add a new rock and roll band to his lineup. He liked what he heard! And, here he was...in the flesh, ready to listen.



The show was a success and Billy Rancher and the Unreal Gods were signed with Arista Records! The party lasted for 2-weeks.

Rocky Road...


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Billy and John immediately returned to Portland, after Billy spoke with his doctor and told him about the lump. He didn't let on to John, or any other members of the band that he was waiting for the results of x-rays and tests.



The news came on a Saturday afternoon, "The cancer is back, Billy." He was with Karen at her apartment in Eugene when the bomb was dropped. The problems between Billy and Karen immediately vanished when reality hit.



The rest of the band were on their way down to Eugene. Even though he didn't feel like playing, Billy managed to put on a show, knowing full-well that it might be a while until they played together again.


Billy would be subjected to 12-weeks of chemotherapy. Billy's treatments would be alternated five straight days chemo sessions, then two-weeks off to recover. This was repeated for the entire twelve-weeks.



The day of the first treatment, Billy's Mom dropped him off at the hospital on her way to work. Billy was taken to a room with six other cancer patients and placed in a reclining chair. A nurse strapped thick rubber tubing around his arm and forced in the two-inch IV needle. Billy leaned back and watched the drugs seep into his body, as his insides began to tingle.



The needle stayed in his arm 10-hours. When it was over, he could barely get off the chair or stand, he was so weak and sick from the treatment. On the way home, Billy asked Mom to pull-over...he couldn't make the trip without vomiting.



After his first week of treatments, he awoke to find clumps of blonde hair on his pillow. Then his fever shot up due to an infection. He was rushed to the hospital where he received blood transfusions for 6-days, to increase his platelet count and get his fever down.



In the meantime, the boys decided to play a few shows without him. It was a total disaster, but they had to pay the rent somehow.



Midway through his treatments, Billy made his first public appearance. John Lennon had been killed and Billy insisted on playing at a Memorial Show. He was one of the last performers. He took the stage and cradled an accoustic guitar.



He wore a woman's wig in an attempt to hide the fact that he had lost his hair. He had also lost a lot of weight. He had blisters lining the insides of his mouth and his fingers ached as he did the best he could.



He started his performance by telling the audience about his trip to LA and finally about the lump. As the word 'cancer' came from his lips across the loud speaker system, the auditorium gasped.



He began to strum and dedicated the song to Karen...it was, 'In My Life' that Billy chose. The next day, he was back to get another treatment.



None of the other worries went away either. He was still being sued for $25-million, and each chemo treatment ran $1500. Even though his mother had bought him a health insurance policy, the deductibles eroded his finances badly.



Billy lived to play again. Looking forward to the stage, was what kept him going.



His last chemo treatment was over the 15th of January, 1985. His doctor had scheduled surgery for February 7th, to remove the shrunken tumor.



In between, he planned to play a few gigs with the Unreal Gods...just like the old days. Sadly, he was still very weak. Not long into the first show, Billy started to feel tired and sent the band into an extended reggae jam.



Bill Flaxel wasn't at all happy about the low-energy jam. He got frustrated, stood up, put his drumsticks down and walked off stage.



There was nothing Billy could think to do but sit down at the drums and play in his place. When he did, Flaxel ran back on stage to Billy's microphone and started singing.



That was the ugly end for Billy Rancher and the Unreal Gods, but not the end for Billy. Everyone was scared, not just for themselves, but for Billy. Everyone reacts differently to tragedy.



Billy would not be daunted, and in between frequent hospital visits he managed to form a new band called Flesh and Blood . These were members who had been with him before the Unreal Gods and a couple other talented, young musicians.



Because of the cancer and the contact he had with all others who were afflicted with this disease, Billy had emerged a more spiritual and thoughtful person. He was not only the Billy with a smile that lit a room and charisma that magnetized everyone in it; he was enlightened and driven all over again.



His concern for other people grew. He was concerned about wars, starvation, Indians, everything. He wrote a letter to President Reagan, with an idea how to end the famine in Ethiopia.



There wasn't anything that he didn't think he could fix, before the cancer came back again.



Billy tried everything and anything to fight this time: magnets, herbs, diet, meditation...everything except chemotherapy. His condition deteriorated quickly. His doctors cornered and told him his only chance to live was chemo. Reluctantly, he was checked back in the hospital for more transfusions and another round of chemo.



After checking out and trying to help his sister with a musical production project, he got an infection that sent him into septic shock. His temperature skyrocketed to 106 and what couldn't get worse, did.



After further tests, it was discovered that chemotherapy was not working anymore. The cancer had spread from his back this time, to his kidneys and his liver. Billy was given the word that he had 3-months to live.



He did not give up, or give in. Billy was as driven as he ever was.



He wrote songs as if he was running out of time now...relentlessly writing. He couldn't perform anymore, so a make-shift recording studio was set up in Karen and Billy's apartment. A non-stop flow of Portland musicians, came over to record with him.



Instead of writing about go-go boots, Billy was writing about world peace and brotherhood. He found God and took advantage of every minute he had. Billy wanted his music to be heard but not for commerical reasons. Despite his deteriorating condition, Billy talked more about dying in his song lyrics than he did in real life.



Flesh and Blood had some legal issues with Arista and only allowed Billy to record 5-songs on an EP. Billy was still under contract with Clive and that was all he would allow to be released, though Billy would have gladly laid down a hundred songs, no matter the quality...he had stuff to say.



After Flesh and Blood was done, Billy put together a solo act called, 'Mr. Groove.' Mr. Groove only appeared a couple times for benefit shows and fundraisers. He took a chair on stage because he had no strength to stand. He never let anything stop him from being what he had to be.



One day, he coaxed his oldest friend, Glen Baggerly, to take him fishing. Even though he felt like "shit", he wanted to go. They fished for about 10-minutes and no bites. Billy reeled in his line and said, "That's all I wanted to do, just throw my line in the water one more time."



They arrived back to some friends house and Billy excused himself to go lay on the couch. Glen knelt down beside him and asked what was the matter. Billy somberly replied, "Just take me home."



Gingerly, he was placed in the front seat of the car, and the seat was reclined to make him more comfortable. Billy was the only one who was not crying.



Right then, Billy was in too much pain to sleep for the long ride home, but cheered up when 'Brown Sugar' by the Stones came on the radio...he turned it up loud and listened. It reminded him of the old Malchick days, trying to make enough money to buy some beer. What happy and simple times those were.



As they approached Portland, his friend said, "Ranch, give me some advice...what do you say to anyone who wants to make it?"



Billy wasn't sure what he meant by that, but he had an answer: "You know, you hear it all your life, but I'll tell you, no matter what you do, if you want it bad enough, no matter what it is, you never, never, never give up."



Billy paused with exhaustion, just saying those words.



After a bit, he looked at his friend and said, "You know what Bags? They can't say the Ranch never tried."



No they can't Billy. No they can't.





(I'm a mess as I write these words and remember everything that Billy gave to me and to the world. There is one last entry I have to write, and I'll take my time finding the right words. Meantime, thanks for reading. It's meant a lot to me to get to share this story and to be an instrument of continuation in sharing the message in his music...the singular thing Billy wanted to leave behind.)




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